1. Camera: Panasonic DMC-LX7
  2. Aperture: f/1.4
  3. Exposure: 1/8th
  4. Focal Length: 4mm

sex-ink-metal:

my belly

wolverxne:

Untitled | by: { Ryan Pernofski } 

(Source: WOLVERXNE)

allteensrelate:

Coming home from school like 

image

(Source: neonkontra)

goawaysaramay:

Me in the kitchen goawaysaramay:

Me in the kitchen goawaysaramay:

Me in the kitchen goawaysaramay:

Me in the kitchen goawaysaramay:

Me in the kitchen

goawaysaramay:

Me in the kitchen

(Source: paula-zelmene)

(Source: reddlr-trees)

quadbroad:

wasitallsmokeandmirrors:

Heelllooooo sexy ass barista. Can I have some extra caramel drizzle and your dick in my mouth?


what a nice apron.

quadbroad:

wasitallsmokeandmirrors:

Heelllooooo sexy ass barista. Can I have some extra caramel drizzle and your dick in my mouth?

what a nice apron.

fuckyeah-nerdery:

dutchster:

i don’t even need to know the context of this drawing

image

PUSSY GAME TOO STRONG EVEN FOR THE DEVIL.

asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence. 
asylum-art:

Photography by Prue Stent
Prue Stent / Facebook / Worbz.com
Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.
With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.
With talent like this Stent it made for a future of exhibition and excellence.

asylum-art:

Photography by Prue Stent

Prue Stent / Facebook / Worbz.com

Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.

With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.

With talent like this Stent it made for a future of exhibition and excellence.

(Source: televisiongif)

(Source: dwnsy)

craigtommola:

… so is spring.

(Source: gameofthrones-zone)

kvsh-mami:

feministbatwoman:

huffingtonpost:

Columbia University Student Will Drag Her Mattress Around Campus Until Her Rapist Is Gone

"I think the act of carrying something that is normally found in our bedroom out into the light is supposed to mirror the way I’ve talked to the media and talked to different news channels, etc," Emma continues in the full video which you can watch here. 

So, I just want to go into HOW MUCH Columbia and the NYPD has failed, and revictimized, Emma Sulkowitz.

In her school hearing, Sulkowitz ” had to explain to the three administrators on the panel how anal rape worked. She told them she had been hit across the face, choked and pinned down, but, she said, one still seemed confused about how it was possible for someone to penetrate her there without lubricant. Sulkowicz said she had to draw them a diagram.”

"Her best friend was meant to be at the hearing; Sulkowicz had chosen her as her one “supporter.” But her friend was kicked out of that role for talking about the case, according to Sulkowicz, in violation of the university’s confidentiality policy. As punishment, her friend was also put on probation and made to write two reflection papers: one from the perspective of Sulkowicz and another from the accused."

FROM THE PERSPECTIVE
OF HER FRIEND’S RAPIST

- Two other women at Columbia have accused this guy of sexual assault/rape. But he’s been found not responsible in all instances, and is still on campus

- When she went to the police, one officer said: “”You invited him into your room. That’s not the legal definition of rape.”

- Another officer told her friends, who came with her: ““For every single rape I’ve had, I’ve had 20 that are total bull——,” he added. “It’s also my type of job to get to the truth. If that means being harsh about it, that’s what I do.”

And that’s.
Why.
People.
Don’t.
REPORT.

I want to set literally everything on fire.

please please please make this stop. as somebody who has experienced this twice, you do not understand how much blaming the victim is wrong.